WHITE investigates images of real/virtual dreams: an OPERATOR generates a female figure using media patterns. His digital odyssey begins on display. Her shapeshifts to reality experience gaps to the fantastic, oscillating between control/self-determined. Suddenly a black independent woman appears. The operator resets WHITE´s rising in front of the absolute power of nature: mirror of their face to face.
by Cristina Ohlmer – Stefan Reisinger/ art vs film
For art vs. film, we combine formal and content-related aspects as an essential high-ranking role in both -artistic and cinematic thought and action. In film (Stefan Reisinger) we are interested in results according to formally professional production techniques (extraordinary camera/tracks and editing sequences) between fictional/surreal genres. The claim is a plot created by performance, in specially developed costumes and stages. For this goal artistic experiences of transformation and abstraction of the real are basic. We chose constellations that combine our vision with all dimensions of sensation in a cinematic process (image, location, atmosphere): The plot explores the way the film industry deals with patterns of meaning and perception – which have shaped our consciousness. In support, special selected locations and specific sounds carry the film on. The stories develop in conscious openness as input for our own “film in our heads”. The stories develop without words, supported by a matching sound design and in minimalist, self-structuring actions through the suggestive power of large images. In a flowing chain of associations, surprising film fantasies are set free: universal and immersive.
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