Ana Beirut #1 by Ghina Abboud, 6:20, 2021

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Ghina lives and fully celebrates her Exodus to Beirut.

Ana Beirut #2 Marie Rose Osta, 6:17, 2021

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As I roam this city by night, Beirut, they said her name was, I encounter nothing but floating shadows populating its streets, attacking its walls.
I hid from them. Tell me … are they still there?

Ana Beirut #3 Amar Sokhen, 4:50, 2021

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Amar left Qartaba, her village, searching for a new home in the city. With a heavy heart, she chooses to bear witness to the wounds of the city she loves: Beirut.

Isabel Pérez del Pulgar – GALATEA (del Cyborg a la Nueva Carne), 3:50, 2017

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The woman is constructed outside herself under an imposed normativity. She owes herself to the community as a procreator. “The female sex is a non-sex or, in other words, it is a sex that does not belong to the woman (Irigaray, 1977). A being in perpetual deconstruction, moulded at will by a system that objectifies and objectives her. The ideal woman. The perfect woman.

Isabel Pérez del Pulgar – La Reina de la casa, 6:25, 2017

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One composed of many; the one who in appearance is, the one she believes she is, the one they let her be, the one she wants to be, the real one and the apparent one… dichotomy, dystopia/utopia… 

Isabel Pérez del Pulgar – Tintura en negro, 4:57, 2017

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We perceive selectively. We see what we want to see and the stimuli are chosen according to our needs and desires. The five senses provide us with data from the external world, transmitted without processing and therefore without meaning. A process of interpretation by the brain is therefore necessary.

Isabel Pérez del Pulgar – El Bosque Dibujado , 5:05, 2018

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We take up the magical-poetic imaginary of nature given in the forest as a primordial place, where all forces have a place in a perpetual battle of equilibrium and where the different forms of life interrelate for their survival.

Isabel Pérez del Pulgar – Taxonomia (replicantes), 3:56, 2020

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A set of organs, a scaffolding of bones, a map of skin. Elements arranged in a more or less harmonious way construct a body. A representative, unquestionable, physical, meaty, identitary, nominative body.

Camille Pueyo – Disparition(s), 3:23, 2022

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The reflections on the gender violence suffered by the director with their reflections on the imminent disappearance of the island of their childhood. Patriarchal capitalism pushes them to withdraw from the world, to find shelter away from their attackers. But for both of them, is there anything other than disappearance as a survival technique?

Camille Pueyo – Destierro, 3:18, 2019

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A video made from VHS family movies shot by the artist’s father at his parent’s place and on Argelès beach. The voice of the Spanish grandfather sharing his experience of republican exile and civil war meet the voice of the father about his own experience of being the son of Spanish refugees. The dialogue between past and present gives to see a transgenerational film about the trauma of war and the intimate consequences of exile.

Camille Pueyo – Trouble, 2:40, 2018

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Trouble is an intimate portrait of the artist’s mother tersely recounting her diagnosis of bipolar disorder and her gratitude for the ability to manage it.